closer, wriggling her way through the little crowd until she stood at the counter's edge. David, the Scone Man, his back to the crowd, was turning the last batch of oat cakes. Jennie felt strangely light-headed, and unsteady, and airy. She stared straight ahead, a half-smile on her lips, while a hand that she knew was her own, and that yet seemed no part of her, stole out, very, very slowly, and cunningly, and extracted a hot scone from the pile that lay in the tray on the counter. That hand began to steal back, more quickly now. But not quickly enough. Another hand grasped her wrist. A woman's high, shrill voice (why will women do these things to each other?) said, excitedly: "Say, Scone Man! Scone Man! This girl is stealing something!" A buzz of exclamations from the crowd—a closing in upon her—a whirl of faces, and counter, and trays, and gas stove. Jennie dropped with a crash, the warm scone still grasped in her fingers. Just before the ambulance came it was the blonde lady of the impossible gelatines who caught the murmur that came from Jennie's white lips. The blonde lady bent her head closer. Closer still. When she raised her face to those other faces crowded near, her eyes were round with surprise. "'S far's I can make out, she says her name's Mamie, and she's from Cuba. Well, wouldn't that eat you! I always thought they was dark complected." VIII THE LEADING LADY The leading lady lay on her bed and wept. Not as you have seen leading ladies weep, becomingly, with eyebrows pathetically V-shaped, mouth quivering, sequined bosom heaving. The leading lady lay on her bed in a red-and-blue-striped kimono and wept as a woman weeps, her head burrowing into the depths of the lumpy hotel pillow, her teeth biting the pillow-case to choke back the sounds so that the grouch in the next room might not hear. Presently the leading lady's right hand began to grope about on the bedspread for her handkerchief. Failing to find it, she sat up wearily, raising herself on one elbow and pushing her hair back from her