The Bridling of Pegasus: Prose Papers on Poetry
that such canons exist. Had it been otherwise, an inquiry into the essentials of great poetry would have been unnecessary.

The permanent passions of mankind—love, religion, patriotism, humanitarianism, hate, revenge, ambition;[Pg 23] the conflict between free will and fate; the rise and fall of empires—these are all great themes, and, if greatly treated, and in accordance with the essentials applicable to all poetry, may produce poetry of the loftiest kind; the underlying reason being what, as usual, has been better and more convincingly stated by Shakespeare than by any one else:

[Pg 23]

We [actors on the stage] are not all alone unhappy: This wide and universal theatre Presents more woeful pageants than the scene Wherein we play.

For the great treatment of great themes in Epic, and yet more in Dramatic, Poetry, think of what is required! Not mere fancy, not mere emotion, but a wide and lofty imagination, a full and flexible style, a copious and ready vocabulary, an ear for verbal melody and all its cadences, profound knowledge of men, women, and things in general, a congenital and cultivated sense of form—the foundation of beauty and majesty alike, in all art; an experience of all the passions, yet the attainment to a certain majestic freedom from servitude to these; the descriptive, lyrical, and reflective capacity; abundance and variety of illustration; a strong apprehension and grasp of the Real, with the impulse and power to transfigure it into the Ideal, so that the Ideal shall seem to the reader to be the Real; in a word, “blood and judgment,” as Shakespeare says, “so commingled.” These are the qualifications of the writers that have stirred, and still stir, in its worthier portion, the admiration, reverence, and gratitude of mankind.

Even this does not exhaust the requisite endowments of those who aspire to write great poetry. Their sympathy with all that is demands from them a fund of[Pg 24] practical good sense, too often lacking in merely lyrical poets—a circumstance that may render their work less attractive to the average person, and even make it seem to such to be wanting in genius altogether. Sane they must essentially be; and their native sanity must have been fortified by some share in practical affairs, while their robustness of mind must have received aid from the open air. They will be found to be neither extravagant optimists nor extravagant pessimists, but wise teachers and indulgent moralists; neither teaching nor preaching overmuch in their verse, but unintentionally and almost unconsciously communicating their wisdom to others by 
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