The High Heart
grind you to powder. If there's anything smaller than powder he'll grind you to that. After he's gone we sha'n't be able to find you. You'll be dust."

 

CHAPTER II

At five minutes to three, precisely, I took my seat in the breakfast loggia.

A

The front of the house with the garden looked toward Ochre Point Avenue. The so-called breakfast loggia was thrown out from the dining-room in the direction of the sea. Here the family and their guests could gather on warm evenings, and in fine weather eat in the open air. Paved with red tiles, it was furnished with a long oak table, ornately carved, and some heavy old oak chairs that might have come from a monastery. Steamer chairs and wicker easy-chairs were scattered on the grass outside. On the left the loggia was screened from the neighboring property by a hedge of rambler roses that now ran the gamut of shades from crimson to sea-shell pink, while on the right it commanded a view of the two terraces supporting the house, with their long straight lines of flowers. The house itself had been built piecemeal, and was now a low, rambling succession of pavilions or corps de logis, to which a series of rose-colored awnings gave the only unifying principle.

Just now it was a house deserted by every one but the servants and myself. Mrs. Rossiter, having gone out to luncheon, had been careful not to return, and even the children had been sent over to Mrs. Jack Brokenshire, on the pretext of playing with her baby, but really to be out of the way. From Hugh I had had no sign of life since the previous afternoon. As to whether his father was coming as his enemy, his master, or his interpreter I could do nothing but conjecture.

But as far as I could I kept myself from conjecturing; holding my faculties in suspense. I had enough to do in assuring myself that I was not afraid—fundamentally. Superficially I was terrified. I should have been terrified had the great man but passed me in the hall and cast a look at me. He had passed me in the hall on occasions, but as he had never cast the look I had escaped. He had struck me then as a master of that art of seeing without seeing which I had hitherto thought of as feminine. Even when he stopped and spoke to Gladys he seemed not 
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