and barred the door again, ascended to her room, and lay awake, through the long night, with her hand under her cheek, not stunned, not dreaming, but in a frozen apathy, in which she saw all with a despairing clearness.

Next day Cleve Verney received a note, in a hand which he knew not; but having read—could not mistake—a cold, proud note, with a gentle cruelty, ending all between them, quite decisively, and not deigning a reason for it.

I dare say that Cleve could not himself describe with much precision the feelings with which he read this letter.

Cleve Verney, however, could be as impetuous and as rash too, on occasion, as other people. There was something of rage in his soul which scouted all consequences. Could temerity be imagined more audacious than his?

Right across from Ware to the jetty of Malory[Pg 6] ran his yacht, audaciously, in open sea, in broad daylight. There is, in the Dower House, a long low room, wainscoted in black shining panels from floor to ceiling, and which in old times was called the oak parlour. It has two doors, in one of its long sides, the farther opening near the stairs, the other close to the hall door.

[Pg 6]

Up the avenue, up the steps, into the hall, and, taking chance, into this room, walked Cleve Verney, without encountering interruption or even observation. Fortuna favet fortibus, so runs the legend in faded gold letters, under the dim portrait of Sir Thomas Verney, in his armour, fixed in the panel of the hall. So it had proved with his descendant.

Favoured by fortune, without having met a human being, and directed by the same divinity it would seem, he had entered the room I have described; and at the other end, alone, awaiting Miss Sheckleton, who was to accompany her in a little ramble among the woods, stood Miss Fanshawe, dressed for her walk.

In came Cleve pale with agitation; approached her quickly, and stopped short, saying—

"I've come; I'm here to ask—how could you—my God!—how could you write the letter you sent this morning?"

Miss Fanshawe was leaning a little against the[Pg 7] oak window-frame, and did not change this pose, which was haughty and almost sullen.

[Pg 7]

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