soft, yet solid joys, For empty shows and senseless noise, And all which rank ambition breeds, Which seem such beauteous flowers, and are such poisonous weeds!

II.

When God did man to his own likeness make, As much as clay, though of the purest kind By the Great Potter’s art refined, Could the Divine impression take, He thought it fit to place him where A kind of heaven, too, did appear, As far as earth could such a likeness bear. That Man no happiness might want, Which earth to her first master could afford, He did a garden for him plant By the quick hand of his omnipotent word, As the chief help and joy of human life, He gave him the first gift; first, even, before a wife.

III.

For God, the universal architect,  ’T had been as easy to erect A Louvre, or Escurial, or a tower That might with heaven communication hold, As Babel vainly thought to do of old. He wanted not the skill or power, In the world’s fabric those were shown, And the materials were all his own. But well he knew what place would best agree With innocence and with felicity; And we elsewhere still seek for them in vain. If any part of either yet remain, If any part of either we expect, This may our judgment in the search direct; God the first garden made, and the first city, Cain.

IV.

Oh, blessèd shades! Oh, gentle, cool retreat From all the immoderate heat, In which the frantic world does burn and sweat! This does the lion-star, Ambition’s rage; This Avarice, the dog-star’s thirst assuage; Everywhere else their fatal power we see, They make and rule man’s wretched destiny; They neither set nor disappear, But tyrannise o’er all the year; Whilst we ne’er feel their flame or influence here. The birds that dance from bough to bough, And sing above in every tree, Are not from fears and cares more free, Than we who lie, or sit, or walk below, And should by right be singers too. What prince’s choir of music can excel That which within this shade does dwell, To which we nothing pay or give—  They, like all other poets, live Without reward or thanks for their obliging pains.  ’Tis well if they become not prey. The whistling winds add their less artful strains, And a grave base the murmuring fountains play. Nature does all this harmony bestow; But to our plants, art’s music too, The pipe, theorbo, and guitar we owe; The lute itself, which once was green and mute, When Orpheus struck the inspirèd lute, The trees danced round, and understood By sympathy the voice of wood.

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