grandfather, reading a business communication held out in front of his nose for he had on the wrong glasses. She crowded in under his arm and sparked the torch at him waiting to see his delighted surprise. But he only drew her close, kissed her cheek and murmured without moving his eyes: "Yes, darling. It's wonderful." That was not what she wanted so she tried her grandmother: "Gran, do look at my torch." Gran looked, not at the torch at all but at Bébita's face, smiled into it, said, "Dearest, it's lovely and I'm so glad it's come," and went back to her reading. It was all disappointing, and Bébita, as a last resource, had to try Miss Maitland, who, if not a relation, was always sympathetic and responsive. The Secretary was reading too, holding her letter up high, almost in front of her face. Bébita laid a sly finger on the top of it, drew it down and sparked the torch right at Miss Maitland. In the shoot of brilliant light the Secretary's face was like that of a stranger—hard and thin, the mouth slightly open, the eyes staring blankly at Bébita as if they had never seen her before. For a second the child was dumb, held in a scared amazement, then backing away she faltered: "Why—why—how funny you look!" The words seemed to bring Miss Maitland back to her usual, pleasant aspect. She drew a deep breath, smiled and said: "I was thinking, that was all—something I was reading here. The torch is beautiful; you must let me try it, but not now, I have to go. I've read the papers to Gramp and I've work to do in my study." Any one who knew Miss Maitland well might have noticed a forced sprightliness in her voice. But no one was listening; Suzanne had gone and Mr. and Mrs. Janney were engrossed in their correspondence. She stole a look at them, saw them unheeding and, with a farewell nod to Bébita, rose and crossed the balcony. As she entered the house, the will that had made her smile, maintained her voice at its clear, fresh note, relaxed. Her face sharpened, its soft curves grew rigid, her lips closed in a narrow line. With noiseless steps she ran through the wide foyer hall and down a passage that led to the room, reserved for her use and called her study. Here, locking the door, she came to a stand, her hands clasped against her breast, her eyes fixed and tragic,