New York; but the last three months had opened his eyes to a new world around him—the world of the Bad Lands, with its own language, its own customs and its own haunts. He knew his New York a great deal better now! Those three months had brought him into intimate touch with the dens and dives, and many of the habitués of the underworld, since it was amongst those surroundings that his investigations had mainly led him. He had even been in the heart of that sordid world no later than that afternoon.

Behind his back, Billy Kane’s fingers were drumming a meditative tattoo upon the desk. His train of thought had brought him back to the crippled Italian beggar, Antonio Laverto. The man was a pitiful looking object enough—one of those mendicants commonly designated in the vernacular as a “flopper.” His legs were twisted under him in contorted angles at the knees, and his means of locomotion consisted in lifting himself up on the palms of his hands and swaying himself painfully along a foot or so at a time. Laverto’s story, told in halting and broken English, was equally pitiful. The man had been a photographer, an artist he had called himself, and he had come to America a few years before from some little town in Italy, lured by the high prices that he had heard the rich New World would pay him for his work. But within a few days of landing he had met with an accident in a tenement fire that had crippled and maimed him for life. He had been practically destitute, his sole possessions being the camera and a few of the cherished photographs he had brought with him. The camera had gone to pay for his support during convalescence; and subsequently, reduced to beggary, most of his pictures had gone the same way.

Behind his back, Billy Kane’s fingers were drumming a meditative tattoo upon the desk. His train of thought had brought him back to the crippled Italian beggar, Antonio Laverto. The man was a pitiful looking object enough—one of those mendicants commonly designated in the vernacular as a “flopper.” His legs were twisted under him in contorted angles at the knees, and his means of locomotion consisted in lifting himself up on the palms of his hands and swaying himself painfully along a foot or so at a time. Laverto’s story, told in halting and broken English, was equally pitiful. The man had been a photographer, an artist he had called himself, and he had come to America a few years before from some little town in Italy, lured by the high prices that he had heard the rich New World would pay him for his work. But within a few days of landing he had met with an accident in a tenement fire that had crippled and maimed him for life. He had been practically 

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