“Too much for your party, I’m sure. One-hundred-fifty.”

“But not for my party,” Pape interposed. “I’ll take the whole half dozen.”

The sole so-far thing to impress the assistant treasurer was the roll from which the emergency cash customer began to strip off bank notes. The recitative of hope soughed into a chorus of disappointment as the moneyed young man clutched his half dozen tickets and started for the inner door. Scarcely could he restrain himself from out-loud laughter as he halted and turned to command:

“Get a hurry on, party! At one-and-fifty there’d ought to be better parlez vous places inside.”

Perhaps his inclusive gesture was more comprehensive to them than his words; at any rate, his grin was eloquent.

To his sublet box by way of the grand staircase Peter Stanbury Pape, grand opera patron, strode at the usher’s heels; into it, himself ushered his agitated, magpie covey of true music-lovers. Well to one side he slumped into the chair assigned to him by common consent and found an inconspicuous rest for the more tortured of his feet.

Leaning forward, he undertook to get his bearings; concentrated on the dim and distant stage set, where a lady chiefly dressed in an anklet and feathered hat—presumedly Zaza of the title role from the way she was conducting herself—seemed to be under great stress of emotion set to song. Before he could focus his glasses—one of the pairs for all hands round which he had been persuaded to rent at the foot of the stair-case—the orchestra took control and the red velvet curtains came together between the intimate affairs of the great French actress and those of the many—of the great American audience.

After curtain calls had been duly accorded and recognized and there no longer existed any reason for the half-light cloak of a doubtful song-story, the vast auditorium was set ablaze. And with the illumination uprose a buzz of sound like nothing that Pape ever had heard—more like the swarming of all the bees in Montana within an acre of area than anything he could imagine.

Full attention he gave to the entre-acte of this, his first adventure in Orphean halls. Regretting the trusty binoculars idling on his hotel bureau, he screwed into focus the rented glasses; swept the waving head-tops of the orchestra field below; lifted to the horse-shoe of the subscribers and then to the grand tier boxes with their content of women whom he 

 Prev. P 21/190 next