Who Cares? A Story of Adolescence
lunch—" 

 "Well?" 

 "Well, I'm sure I should have turned bitter and never believed any more in fairies and all that. I don't think I mean fairies, and I can't explain what 'all that' stands for, but I know I should have been warped if I hadn't turned round and seen you." 

 And she laughed and set him laughing, and the reason of their having met was waved aside. The fact remained that there they were—youth with youth, and that was good enough. 

 

 III 

 There was a touch of idealism hidden away somewhere in Martin's character. A more than usually keen-eyed boy had once called him "the poet" at school. In order that this dubious nickname should be strangled at birth, there had been an epoch-making fight. Both lads came out of it in a more or less unrecognizable condition, but Martin reestablished his reputation and presently entered Yale free from the suspicion of being anything but a first-rate sportsman and an indisputable man. 

 There Martin had played football with all the desired bullishness. He had hammered ragtime on the piano like the best ordinary man in the University. With his father he rode to hounds hell for leather, and he wrote comic stuff in a Yale magazine which made him admiringly regarded as a sort of junior George Ade. It was only in secret, and then with a sneaking sense of shame, that he allowed his idealistic side to feed on Browning and Ruskin, Maeterlinck and Barrie, and only when alone on vacation that he bathed in the beauty of French cathedrals, sat thrilled and stirred by the waves of melody of the great composers, drew up curiously touched and awed at the sight of the places in the famous cities of Europe that echoed with the footsteps of history. 

 If the ideality of that boy had been seized upon and developed by a sympathetic hand, if his lively imagination and passion for the beautiful had been put through a proper educational course, he might have used the latent creative power with which nature had endowed him and taken a high place among artists, writers or composers. As it was, his machinelike, matter-of-fact training and his own self-conscious anxiety not to be different from the average good sportsman had made him conform admirably to type. He was a fine specimen of the eager, naive, quick-witted, clean-minded young American, free from "side," devoid of mannerisms, determined to make the utmost of life and its possibilities. 


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