take a walk with me. You would be obliged to stay at home, if you could not comb your own hair. Betty is busy getting the dinner ready, and only brushes William’s hair, because he cannot do it for himself.

Betty is making an apple-pye. You love an apple-pye; but I do not bid you make one. Your hands are not strong enough to mix the butter and flour together; and you must not try to pare the apples, because you cannot manage a great knife.

Never touch the large knives: they are very sharp, and you might cut your finger to the bone. You are a little girl, and ought to have a little knife. When you are as tall as I am, you shall have a knife as p. vilarge as mine; and when you are as strong as I am, and have learned to manage it, you will not hurt yourself.

p. vi

You can trundle a hoop, you say; and jump over a stick. O, I forgot!—and march like men in the red coats, when papa plays a pretty tune on the fiddle.

Even a very little of the tender spirit that this lesson breathes, even a very little of its sense of play, would have leavened the Original Stories into a more wholesome consistency. As it stands, that book is one of the most perfect examples of the success with which, a century or more ago, any ingratiating quality could be kept out of a work for the young. According to William Godwin, his unhappy wife had always a pretty and endearing way with children. Yet of pretty and endearing ways, as of humour, I take him to have been a bad judge; for I do not think that any woman possessing enough sympathy to attach children to her as he, in one of the most curious biographies in the language, assures us that she had, could have suppressed the gift so completely in her first book for young minds. And the Mrs. Masonic character of her own Preface supports my view.

I do not wish to suggest that previous to 1787 Mary Wollstonecraft had been a stranger to suffering. Far from it. Her life had known little joy. Her father’s excesses, her mother’s grief and poverty, her sister’s misfortunes, her own homelessness, and, to crown all, the death of her close friend Frances Blood, must have dimmed if not obliterated most of her p. viihappy impulses. But it is one thing to suffer bereavement and to be anxious about the troubles of others near and dear; and it is quite another to suffer oneself by loving, even to a point of personal disaster, and then losing both that love and the friendliness (such as it was) of the world. Imlay’s desertion and the birth of Fanny were real things 

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