Oxford Lectures on Poetry
later, but none of them appears to show itself indubitably wherever sublimity is found. It is easy to give a much fuller account of the sublime if you include in it everything that impresses you in a sublime baby while you omit to consider Behemoth, or if you build upon Socrates and ignore Satan, or if you confine yourself to the sublime thunderstorm and forget the sublime rainbow or sunrise. But then your account will not answer to the instances you have ignored; and when you take them in you will have to pare it down until perhaps you end in a result like ours. At any rate we had better be content with it for the present, and turn to another aspect of the matter.8

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8

So far, on the whole, we have been regarding the sublime object as if its sublimity were independent of our state of mind in feeling and apprehending it. Yet the adjective in the phrase ‘overwhelming greatness’ should at once suggest the truth that this state of mind is essential to sublimity. Let us now therefore look inward, and ask how this state differs from our state in perceiving or imagining what is graceful or ‘beautiful.’ Since Kant dealt with the subject, most writers who have thought 51 about it have agreed that there is a decided difference, which I will try to describe broadly, and without pledging myself to the entire accuracy of the description.

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When, on seeing or hearing something, we exclaim, How graceful! or How lovely! or How ‘beautiful’! there is in us an immediate outflow of pleasure, an unchecked expansion, a delightful sense of harmony between the thing and ourselves.

The air

Nimbly and sweetly recommends itself

Unto our gentle senses.... The heaven’s breath

Smells wooingly here.

The thing wins us and draws us towards itself without resistance. Something in us hastens to meet it in sympathy or love. Our feeling, we may say, is entirely affirmative. For though it is not always untouched by pain (for the thing may have sadness in it),9 this touch of pain or sadness does not mean any disharmony between the thing and us, or involve any check in our acceptance of it.

9

In the case of sublimity, on the other hand, 
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