eyelids, "in a sense. I know how she bows when you meet her in the street, how she dresses when she goes to church. I know her as one knows a woman staying in the same hotel, just like that."

"It's a pity you can't remember Kitty. All that a wife should be she's been to you."

He sat forward, warming his palms at the blaze and hunching his shoulders as though there were a draft. His silence compelled me to look at him, and I found his eyes, cold and incredulous and frightened, on me.

"Jenny, is this true?"

"That Kitty's been a good wife?"

"That Kitty is my wife, that I am old, that"—he waved a hand at the altered room—"all this."

"It is all true. She is your wife, and this place is changed, and it's better and jollier in all sorts of ways, believe me, and fifteen years have passed. Why, Chris, can't you see that I have grown old?" My vanity could hardly endure his slow stare, but I kept my fingers clasped on my lap. "You see?"

He turned away with an assenting mutter; but I saw that deep down in him, not to be moved by any material proof, his spirit was incredulous.

"Tell me what seems real to you," I begged. "Chris, be a pal. I'll never tell."

"M-m-m," he said. His elbows were on his knees, and his hands stroked his thick tarnished hair. I could not see his face, but I knew that his skin was red and that his gray eyes were wet and bright. Then suddenly he lifted his chin and laughed, like a happy swimmer breaking through a wave that has swept him far inshore. He glowed with a radiance that illuminated the moment till my blood tingled and I began to rub my hands together and laugh, too. "Why, Monkey Island's real. But you don't know old Monkey. Let me tell you."

CHAPTER III

CHRIS told the story lingeringly, in loving detail. From Uncle Ambrose's gates, it seems, one took the path across the meadow where Whiston's cows are put to graze, passed through the second stile—the one between the two big alders—into a long straight road that ran across the flat lands to Bray. After a mile or so there branched from it a private road that followed a line of noble poplars down to the ferry. Between two of them—he described it meticulously, as though it were of immense significance—there stood a white hawthorn. In front were the dark-green, glassy 

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