There are people still living here. A slouchy woman sits at the door of a filthy cottage, counting some dirty linen and waving her bare arm at some passing soldiers. And at another house there is a general store with strings of orange onions and bunches of herbs hanging from the roof, a brown gloom rich with garlic and humming with the flies that live all the year round in French village shops, a black cat rubbing her sleepiness against the lintel. It is in there that Chris is standing, facing across the counter an old man in a blouse, with a scar running white into the gray thickets of his beard, an old man with a smile at once lewd and benevolent, repulsive with dirt and yet magnificent by reason of the Olympian structure of his body. I think he is the soul of the universe, equally cognizant and disregardful of every living thing, to whom I am not more dear than the bare-armed slouchy woman at the neighboring door. And Chris is leaning on the counter, his eyes glazed. (This is his spirit; his body lies out there in the drizzle, at the other end of the road.) He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world.

I stirred on the dead leaves as though I had really heard the breaking of the globe and cried out, "Gilbert Anderson, Gilbert Anderson must cure him." Heaven knows that I had no reason for faith in any doctor, for during the last week so many of them, as sleek as seals with their neatly brushed hair and their frock-coats, had stood round Chris and looked at him with the consequenceless deliberation of a plumber. Their most successful enterprise had been his futile hypnotism. He had submitted to it as a good-natured man submits to being blindfolded at a children's party, and under its influence had recovered his memory and his middle-aged personality, had talked of Kitty with the humorous tenderness of the 

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