companion down to the car and helped her to a seat in the tonneau. She repaid him with a nod and a smile, and when he saw that the crudities were not troubling her he stepped aside and unconsciously fell to comparing the two—the girl on horseback and his walking mate of the canyon passage.

They had little enough in common, apart from their descent from Eve, he decided—and the decision itself was subconscious. The millionaire's daughter was a warm blonde, beautiful, queenly, a finished product of civilization and high-priced culture; a woman of the world, standing but a single remove from the generation of quick money-getting and yet able to make the money take its proper place as a means to an end.

And the girl on horseback? Brouillard had to look twice before he could attempt to classify her, and even then she baffled him. A rather slight figure, suggestive of the flexible strength of a silken cord; a face winsome rather than beautiful; coils and masses of copper-brown hair escaping under the jaunty cow-boy hat; eyes ... it was her eyes that made Brouillard look the third time: they were blue, with a hint of violet in them; he made sure of this when she turned her head and met his gaze fearlessly and with a certain calm serenity that made him feel suddenly uncomfortable and half embarrassed. Nevertheless, he would not look aside; and he caught himself wondering if her cow-boy lover—he had already jumped to the sentimental conclusion—had ever been able to look into those steadfast eyes and trifle with the truth.

So far the young chief of construction had travelled on the road reflective while the fish-slaughtering matter was getting itself threshed out at the river's edge. When it was finally settled—not by the tender of money that Mr. Cortwright had made—the man Smith and his pretty riding mate galloped through the ford and disappeared among the barren hills, and the chauffeur was at liberty to start the motor.

"Au revoir, Mr. Brouillard," said the princess, as the big car righted itself for the southward flight into the desert. Then, when the wheels began to churn in the loose sand of the halting place, she leaned out to give him a woman's leave-taking. "If I were you I shouldn't fall in love with the calm-eyed goddess who rides like a man. Mr. Tri'-Circ' Smith might object, you know; and you haven't yet told me whether or not you can shoot straight."

There was something almost heart-warming in the bit of parting badinage; something to make the young engineer feel figuratively for the knife with which he had resolutely cut around himself to the 

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