annoyance.

“I don’t understand you,” she answered curtly.

“I beg your pardon,” he remarked, nettled by her tone. “I hope you don’t think me impertinent; but I thought there had been a little difficulty about bringing in the coals.”

“So there was,” she replied, and smiled involuntarily at the recollection. Then she glanced at her art student as he knelt upon the hearth, and from him to the models showing up white and still against the dingy curtain which formed their background; Mars Borghese, the Apollo Belvidere, the Venus de Medici, and a smaller figure of the Venus de Milo; a good collection, a collection which both she and her father had loved and been proud of, and which had taken many years to gather together.

“You were the cause,” she continued, bringing her gaze back again to the kneeling figure in front of the grate; “Isobel’s modesty would not permit her to enter the studio with a strange man present; ignorance is always self-conscious, you know.”

He gave her a quick look.

“I am sorry,” he said, “to have been the innocent cause of so much perturbation. Hadn’t you better arrange with the Abigail to bring the coals a little earlier?”

Jill shook her head, but she was still smiling.

“You forget,” she said, “that I’m only the attics; it is a favour that I get them brought at all. I fear it will end in your always having to carry them in if you won’t let me; that and the stairs will soon put to flight your desire for studying art.”

He got up, and bending, began to dust the ash off his clothes with angry vehemence. Did she wish to annoy him, or was it merely that she was cursed with a particularly disagreeable manner? Jill feigned not to note his displeasure, but, returning to the table, resumed her seat and went on with the lesson as though there had been no interruption, explaining and illustrating her remarks with the care and precision that she remembered her father to have used when first instructing her. Mr St. John listened with grave attention; he was at any rate unaffectedly interested in the matter in hand, and had, if not the talent, an unmistakable love for art. When she relinquished the seat he took it and made a second, and this time less futile attempt. It is true that his drawing bore so little resemblance to the copy that it could not possibly be taken for the same head, nevertheless it was a wonderful 

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