earth.

“I shall manage,” she answered confidently, “I shall teach; you have often said I was quite competent of doing that, and occasionally I sell my own work, you know.”

“Yes,” he said, “you have my talent, and I have taught you all I could. But I wish that I had more to leave you; there will be so little after all the expenses are paid.”

“There are the models—my art school stocked,” she replied with assumed cheerfulness. “I shall be only awaiting the pupils, and they will come after a while.”

The speech was a brave one, but her heart sank nevertheless. She was fairly self-reliant, but she had seen enough of the seamy side of life to realise how difficult it was, added to which she was devoted to her father, who was all she had in the world, and the knowledge that he was leaving her just when she seemed to need him most was very bitter. They had been comrades ever since she could remember, a bond that had made the roving, Bohemian life very pleasant, and the severing of which meant a loss that nothing could ever replace—a void no one else could fill. And yet she continued cheerful and bright, even gay at times, though each day found him weaker, and her own heart heavier, and more hopeless. But she choked down the lump that was always rising in her throat, and maintained a smiling exterior, despite her grief, until there was no need to conceal her feelings any longer, and then sorrow had its way, and found vent in a wild burst of uncontrollable weeping, which after half an hour exhausted both itself and her, and ended in a kind of general collapse. But there was very little time in which to indulge the luxury of grief. There was the future to think about; for it was necessary to live even if one did not feel greatly inclined to; and so Jill left her tiny bedroom with its sloping ceiling, and stole into the studio, bare, save for its model throne, and casts, its easel, table, and couple of cane-bottomed chairs, its smell of stale tobacco, and cheese, and the memory of the dear presence that once had sat there working and would work no more. With eyes blinded by tears, and hands that trembled she proceeded to dust the models, and put the room to rights, and as she did so her glance fell upon the still unfinished picture—her father’s last work—and, letting the dusting brush fall from her hand, she threw her arms about the neck of the Apollo Belvidere and wept afresh. Her next move, when this new outburst had subsided, was to take down the bust of Clytie from the shelf on which it stood and tenderly remove the specks of dust that had been allowed to gather 

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