Maurice Guest
other; the most inseparable friends had, once parted, soon forgotten. And the bluish smoke sent upwards as he talked, in clouds and spirals that mounted rapidly and vanished, seemed to Maurice symbolic of the brief and shadowy lives that were unrolled before him. But, after all this, when the lights came, the piano was opened, and then, for an hour or two, the world was forgotten in a different way. It was here that the chief landmarks of music emerged from the mists in which, for Maurice, they had hitherto been enveloped; here he learned that Bach and Beethoven were giants, and made uncertain efforts at appreciation; learnt that Gluck was a great composer, Mozart a genius of many parts, Mendelssohn the direct successor in this line of kings. Sonatas, symphonies, operas, were hammered out with tremendous force and precision on the harsh, scrupulously tuned piano; and all were dominated alike by the hoarse voice of the old man, who never wavered, never faltered, but sang from beginning to end with all his might. Each one of the pleasant hours spent in this new world helped to deepen Maurice's resolution to free himself while there was yet time; each one gave more clearness and precision to his somewhat formless desires; for, in all that concerned his art, the nameless old musician hated his native land, with the hatred of the bigot for those who are hostile or indifferent to his faith. 

 With a long and hot-chased goal in sight, a goal towards which our hearts, in joyous eagerness, have already leapt out, it is astonishing how easy it becomes to make light of the last, monotonous stretch of road that remains to be travelled. Is there not, just beyond, a resting-place?—and cool, green shadows? Events and circumstances which had hitherto loomed forth gigantic, threatening to crush, now appeared to Maurice trivial and of little moment; he saw them in other proportions now, for it seemed to him that he was no longer in their midst: he stood above them and overlooked them, and, with his eyes fixed upon a starry future, he joyfully prepared himself for his new life. What is more, those around him helped him to this altered view of things. For as the present marched steadily upon the future, devouring as it went; as the departure this future contained took on the shape of a fact, the countless details of which called for attention, it began to be accepted as even the most unpalatable facts in the long run usually are, with an ungracious resignation in face of the inevitable. Thus, with all his ardour to be gone, Maurice Guest came to see the last stage of his home-life almost in a bright light, and even with a touch of melancholy, as something that was fast slipping from him, never to be there in all its 
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