The Transgression of Andrew Vane: A Novel
The chance had been too good to be disregarded, but life under such conditions was no better than sheer existence. The cottage was one of a squat, ill-favoured row on a side street, within a stone's throw of the railway station. They had found it equipped, in a way, with cheap, yellowish furniture, worn and faded carpets, and kitchen utensils distinguished by the grime of many meals and the musty inheritance of insufficient washings. About the house there was a stale, moist smell of plaster, and the plot of turf in the little front yard was dry and discoloured, like the mats of imitation grass in the establishment of a country photographer. Helen had striven to redeem the desolation of the tiny living-room with the few pictures and articles of furniture which she had contrived to save from the wreck of their former fortunes; but the attempt was not successful. The rare prints were out of place against the tawdry wall-paper, and the few pieces of Sheraton and Chippendale to which she had clung took on, in such surroundings, the shabbiness of what was already there.

She was obliged to do her own marketing and cooking and housework, since a servant, in their straitened circumstances, was out of the question: and not the least part of her martyrdom was the purchase[9] of scrawny yellow fowls, and vegetables of a freshness past, and their preparation in the dingy little kitchen, which left an odour of frying lard on the very clothes she wore.

[9]

Vane had left her, an hour before, on his way to the city; and now, as the weight of depression became intolerable, she took her hat, locked the door behind her, and started for a long walk over the hill-roads back of the town. This had lately come to be her habit. It was something to escape, even for half a day, from the dispirited little suburb, with its sallow frame houses, its patched fences, and its cinder-strewn roadways, along which lean cats slunk guiltily, and dishevelled fowls picked their way in search of food. Up on the hills, the air of late November was keen and chill, and grayed with a drifting smoke-mist from distant fires of dried leaves. The brown grass was veiled here and there with thin patches of snow, stippled with faint shadows, cast by the filial oak-leaves, which cling longer than any other to the maternal bough. As Helen passed, squirrels darted nimbly away to a safe distance, and then sat up to watch her, with their fore paws held coquettishly against their breasts. It was all very sane and healthy, all in wonderful contrast to her morbid life in the shadow of John Vane's personality.

There had 
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