The Beckoning Hand, and Other Stories

[Pg 27]

Hour after hour went slowly by, and I crouched there still unseen among the agave thicket. At last, as the hands of the watch reached together the point of twelve, I heard a low but deep rumbling noise coming ominously from the Vaudoux temple. I recognized at once the familiar sound. It was the note of the bull-roarer, that mystic instrument of pointed wood, whirled by a string round the head of the hierophant, by whose aid savages in their secret rites summon to their shrines their gods and spirits. I had often made one myself for a toy when I was a boy in England.

I crept out through the tangled brake, and cautiously approached the back of the building. A sentinel was standing by the door in front, a powerful negro, armed with revolver and cutlas. I skulked round noiselessly to the rear, and lifting myself by my hands to the level of the one tiny window, I peered in through a slight scratch on the white paint, with which the glass was covered internally.

I only saw the sight within for a second. Then my brain reeled, and my fingers refused any longer to hold me. But in that second, I had read the whole terrible, incredible truth: I knew what sort of a woman she really was whom I had blindly taken as the wife of my bosom.

Before a rude stone altar covered with stuffed alligator skins, human bones, live snakes, and hideous sorts of African superstition, a tall and withered black woman stood erect, naked as she came from her mother's womb, one skinny arm raised aloft, and the other holding below some dark object, that writhed and struggled awfully in her hand on the slab of the altar, even as she held it. I saw in[Pg 28] a flash of the torches behind it was the black hag I had watched before at the Port-au-Prince cottage.

[Pg 28]

Beside her, whiter of skin, and faultless of figure, stood a younger woman, beautiful to behold, imperious and haughty still, like a Greek statue, unmoved before that surging horrid background of naked black and cringing savages. Her head was bent, and her hand pressed convulsively against the swollen veins in her throbbing brow; and I saw at once it was my own wife—a Vaudoux worshipper—Césarine Tristram.

In another flash, I knew the black woman had a sharp flint knife in her uplifted hand; and the dark object in the other hand I recognized with a thrill of unspeakable horror as a negro girl of four years old or thereabouts, gagged and bound, and lying on the altar.


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