The Black Moth: A Romance of the XVIIIth Century
parapet. Over the walls of the house they climbed, mingling with purple clematis, jasmine, and sickly honeysuckle. The air was heavy with their united perfumes, while, wafted from a bed below, came the smoky scent of lavender.

The old house seemed half asleep, basking in the sunlight. Save for a peacock preening its feathers on the terrace steps, there was no sign of life....

The old place had harboured generations of Carstares. Earl had succeeded Earl and reigned supreme, and it was only now that there was no Earl living there. No one knew where he was. Scarce a month ago one died, but the eldest son was not there to take his place. For six years he had been absent, and none dared breathe his name, for he disgraced that name, and the old Earl cast him off and forbade all mention of him. But the poor folk of the countryside remembered him. They would tell one another tales of his reckless courage; his sweet smile and his winning ways; his light-heartedness and his never-failing kindness and good-humour. What a rider he was! To see him sit his horse! What a swordsman! Do ye mind the time he fought young Mr. Welsh over yonder in the spinney with half the countryside watching? Ah, he was a one, was Master Jack! Do ye mind how he knocked the sword clean out o' Mr. Welsh's hand, and then stood waiting for him to pick it up? And do ye mind the way his eyes sparkled, and how he laughed, just for the sheer joy o' living?

Endless anecdotes would they tell, and the old gaffers would shake their heads and sigh, and long for the sight of him again. And they would jerk their thumbs towards the Manor and shrug their old shoulders significantly. Who wanted Mr. Richard for squire? Not they, at least. They knew he was a good squire and a kindly man, but give them Master John, who would laugh and crack a joke and never wear the glum looks that Mr. Richard affected.

In the house, Richard Carstares paced to and fro in his library, every now and again pausing to glance wretchedly up at the portrait of his brother hanging over his desk. The artist had managed to catch the expression of those blue eyes, and they smiled down at Richard in just the way that John was always wont to smileā€”so gaily, and withal so wistfully.

Richard was twenty-nine, but already he looked twice his age. He was very thin, and there were deep lines on his good-looking countenance. His grey eyes bore a haunted, care-worn look, and his mouth, though well-shaped, was curiously lacking in determination. He was dressed soberly, and without that touch of smartness 
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