Poor Relations
John had been fumbling with his check book when Laurence began to talk about his income; but the unexpected turn of the narrative quietened him, and the Upman was going well.

"You may or may not come across a little series of devotional meditations for the Man in the Street entitled Lamp-posts. They have a certain vogue, and I may tell you in confidence that under the pseudonym of The Lamplighter I wrote them. The actual financial return they brought me was slight. Barabbas, you know, was a publisher. Ha-ha! No, although I made nothing, or rather practically nothing out of them for my own purse, by leading me to browse among many modern works of theology and philosophy I began to realize that there was a great deal of reason for modern indifference and skepticism. In other words, I discovered that, in order to keep the man in the street a Christian, Christianity must adapt itself to his needs. Filled with a reverent enthusiasm and perhaps half-consciously led along such a path by your conspicuous example of success, I have sought to embody my theories in a play, the protagonist of which is the apostle Thomas, whom when you read the play you will easily recognize as the prototype of the man in the street. And this brings me to the reason for which I have asked you for this little talk. The fact of the matter is that in pursuing my studies of the apostle Thomas I have actually gone beyond his simple rugged agnosticism, and I now at forty-two years of age after eighteen years as a minister of religion find myself unable longer to accept in any literal sense of the term whatever the Virgin Birth."

Laurence poured himself out a third glass of port and waited for John to recover from his stupefaction.

"But I don't think I'm a very good person to talk to about these abstruse divine obstetrics," John protested. "I really haven't considered the question. I know of course to what you refer, but I think this is essentially an occasion for professional advice."

"I do not ask for advice upon my beliefs," Laurence explained. "I recognize that nobody is able to do anything for them except myself. What I want you to do is to let Edith, myself, and little Frida stay with you at Ambles—of course we should be paying guests and you could use our pony and trap and any of the vicarage furniture that you thought suitable—until it has been decided whether I am likely or not to have any success as a dramatist. I do not ask you to undertake the Quixotic task of trying to obtain a public representation of my play about the apostle Thomas. I know that Biblical subjects are forbidden by the 
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