a request to pass her the pickled walnuts. John fancied an impulse to move away her chair when she declined his offer; but of course the chair was fixed, and the only sign of her distaste for pickles or conversation was a faint quiver, which to any one less rosy than John might have suggested abhorrence, but which struck him as merely shyness. It was now that for the first time he became aware of a sickly fragrance that was permeating the atmosphere, a fragrance that other people, too, seemed to be noticing by the way in which they were looking suspiciously at the stewards. "Rather oppressive, some of these flowers," said John to the gaunt lady. "I don't see any flowers at our end of the table," she replied. And then with an emotion that was very nearly horror John realized that, though the barber was responsible, he must pay the penalty in a vicarious mortification. His first impulse was to snatch a napkin and wipe his hair; then he decided to leave the table immediately, because after all nobody could suspect him, in these as yet unvexed waters, of anything but repletion; finally, hoping that the much powdered lady opposite swathed in mauve chiffons was getting the discredit for the fragrance, he stayed where he was. Nevertheless, the exhilaration had departed; his neighbors all seemed dull folk; and congratulating himself that after this first confused lunch he might reasonably expect to be put at the captain's table in recognition of the celebrity that he could fairly claim, John took from his pocket a bundle of letters which had arrived just before he had left his hotel and busied himself with them for the rest of the meal. His success as a romantic playwright and his failure—or, as he would have preferred to think of it in the satisfaction of fixing the guilty fragrance upon the lady in mauve chiffons, his comparative failure—as a realistic novelist had not destroyed John's passion for what he called "being practical in small matters," and it was in pursuit of this that having arranged his letters in two heaps which he mentally labeled as "business" and "pleasure" he began with the former, as a child begins (or ought to begin) his tea with the bread and butter and ends it with the plumcake. In John's case, fresh from what really might be described as a triumphant production in New York, the butter was spread so thickly that "business" was too forbidding a name for such pleasantly nutritious communications. His agent had sent him the returns of the second week; and playing to capacity in one of the largest New York theaters is nearer to a material paradise