worldly that a little man could ever have become his Mæcenas. In the Duchess Amelia and her son he found that practical sagacity, large knowledge of things as they are, active force, and genial feeling, which he had never before seen combined. The wise mind of the duchess gave the first impulse to the noble course of Weimar. But that her son should have availed himself of the foundation she laid is praise enough, in a world where there is such a rebound from parental influence that it generally seems that the child makes use of the directions given by the parent only to avoid the prescribed path. The duke availed himself of guidance, though with a perfect independence in action. The duchess had the unusual wisdom to know the right time for giving up the reins, and thus maintained her authority as far as the weight of her character was calculated to give it. Of her Gœthe was thinking when he wrote, "The admirable woman is she, who, if the husband dies, can be a father to the children." The duke seems to have been one of those characters which are best known by the impression their personal presence makes on us, resembling an elemental and pervasive force, rather than wearing the features of an individuality. Gœthe describes him as "Dämonische," that is, gifted with an instinctive, spontaneous force, which at once, without calculation or foresight, chooses the right means to an end. As these beings do not calculate, so is their influence incalculable. Their repose has as much influence over other beings as their action, even as the thunder cloud, lying black and distant in the summer sky, is not less imposing than when it bursts and gives forth its quick lightnings. Such men were Mirabeau and Swift. They had also distinct talents, but their influence was from a perception in the minds of men of this spontaneous energy in their natures. Sometimes, though rarely, we see such a man in an obscure position; circumstances have not led him to a large sphere; he may not have expressed in words a single thought worth recording; but by his eye and voice he rules all around him. He stands upon his feet with a firmness and calm security which make other men seem to halt and totter in their gait. In his deep eye is seen an infinite comprehension, an infinite reserve of power. No accent of his sonorous voice is lost on any ear within hearing; and, when he speaks, men hate or fear perhaps the disturbing power they feel, but never dream of disobeying. But hear Gœthe himself. "The boy believed in nature, in the animate and