The White Terror and The Red: A Novel of Revolutionary Russia
arms loosely folded on a davenport, weeping and smiling at once. There was much charm in her smile, but, barring it and her mass of fine auburn hair, she was certainly not good looking. She was small, ungainly, flat-chested, with a large thin-lipped mouth and, in spite of her beautiful gowns, with a general effect of rustiness.

[13]

[13]

When Pavel and his mother met at dinner he felt so embarrassed he could not bring himself to look her in the face.

[14]

[14]

CHAPTER II.

THE WHITE TERROR.

MIROSLAV was trisected longitudinally by a clear, cheerful river and by Kasimir Street, its principal thoroughfare, which contained most of its public buildings and best shops. The middle one of the three sections thus formed was the home of the higher nobility and the official class; the district across the bridge from here was inhabited by Christian burghers and workmen, with here and there a clay hovel, the home of a peasant family, gleaming white in the distant outskirts; while the hilly quarter beyond Kasimir Street was the seat of Jewish industry and Jewish poverty, part of this neighbourhood being occupied by the market places and “the Paradise,” as the slums of the town were called ironically. The governor’s house, which faced Governor’s Prospect—a small square with a fountain in the centre—and Anna Nicolayevna’s were the two most imposing buildings in Miroslav.

The countess’ residence was the only structure in town that had a colonnaded front. The common people called it the Palace and the section of Kasimir Street it faced the Pillars. The sidewalk opposite was the favourite promenade of the younger generation, and every afternoon, in auspicious weather, it glittered with the uniforms of army officers and gymnasium boys. The Palace was built by her grandfather in the closing days of the previous century.[15] It abutted on a long narrow lane formed on one side by Anna Nicolayevna’s garden and leading to Theatre Square, where stood the playhouse and the Nobles’ Club. When the white rigidity of these buildings was relieved by the grass of its lawns and the foliage of its trees the spot was the joy of the town.

[15]

During the winter of the year following the countess’ sojourn at the German watering place, Miroslav was stirred by a sensation, 
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