Voices from the Past
Anaktoria—hair yellower than torchlight, soft-girl, dabbler in poetry, dreamer, lovely singer. Plays lyre and flute equally well. Adores games, trees, flowers, swimming, archery. Wants to travel, be a priestess.

Then there are the new girls: Heptha, with copper hair... Myra, who is Turkish... Helen, a scatterbrained darling... Ah, but each is exquisite in her own way. No two are alike. I love them all.

And yet, I am grieved, since my own daughter is jealous of them. Dear, fool­ish Kleis, who pretends she has never been a child and is yet so far from being a woman.

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I have spent weeks over a poem, revising, revising.

I do my best writing in the morning, when the sea light is sparking my room. How important the harmony is to me: harmony in my house, on the island, in my heart.

Sometimes, I call my girls to let them hear what I have written. Sometimes, in the evenings, I recite my poems for friends. Sometimes, I go days, unable to write a word. They are cold days.

Shall I use eleven syllables?

A poem does not grow like a leaf, but has to be shaped. I often think of a lyric as an amphora; little by little I must mold its lines on the wheel of my mind. It is the structure, containing the song. It must be graceful, strong, so that the words and the music can flow...

The wings of the swans have drawn you toward the dark ground, 

with yoke chariot bearing down from heaven... 

Come to me...free me from trouble...

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Today I received a letter from Aesop, written at Adelphi. It is a joy to hear from him. I thought he had forgotten me. What a good companion he was, all those days in Corinth... Companion? He was more like a father!

His handwriting is the most perfect I have ever seen. Each letter formed so patiently, each thought expressed so beautifully. Does he strive for perfection because be cannot forget his deformity?

I remember his eyes used to transfix me with their brown hypnosis.


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