The electric clock behind Mr. Delehanty clicked and twitched, another scrap of eternity chipped off as Mr. Fielding declared: "I have no objection to the death penalty, and would make no exception for a woman."

The bald athlete Talbot J. Hunter stepped aside, and Cecil Warner, wilted and ancient, took over. The Old Man was tired, his questions a mere mopping up of areas Hunter had ignored: Fielding's newspaper reading, length of residence in Winchester; perhaps he just wanted to hear a few more overtones. In this case Cecil Warner--(Edith understood it fully today for the first time)--was not interested in the fee, the publicity, or the abstraction of justice. He was there because, with the curious devotion of an old man, he loved Callista. To use one of his own worn phrases, it was that simple. Since a woman of thirty-one does not live in the world of a battle-worn man of sixty-eight, Edith knew she could grasp the quality of that love from the outside only, with the mind only: enough, to accept the fact. But didn't a defense counsel need some inner coldness to sustain him?

She studied the twelve faces, their names already carved into her memory. She would retain the look of them as vividly as though each juror had sat in her studio under the clever lights while she examined the faults, planes, good points, chatted with them to let self-consciousness and vanity subside, searched for the portrait they wouldn't see, and at last finished her shots--one to please the customer if possible; one, if lucky, to please herself as a frozen instant of relative truth.

Peter Anson--oh, if he were furry instead of bald you could use color film and get a pink panda. That notion was not quite her own, but like something Callista might have said in one of her fantastic moods, more impudent than funny, more funny than spiteful. Anson's chubbiness would be deceptive, his good nature not the kind that he would maintain under serious pressure. His kindness would be limited to what he understood. Beyond that limit, Anson could be cruel.
Dora Lagovski, twenty-four, mammal, housewife. Dora would want to be photographed with a big mouthful of teeth, and you better do it.
Emerson Lake, newsdealer, sixty-five. If not born in a cool pocket of the White Mountains, he should have been. Humanity gleamed in him like an ember under the crust of a clotted briar pipe.
Emma Beales, forty, housewife. Smooth round conscientious face, all hell on civic duty. Never plagued with an original idea, capable of talking both arms off at the deltoids, but not a bad old girl. Edith estimated that she must have made about twenty portraits of Emma 

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