Mollie's Prince: A Novel
house-room. They could not possibly dispose of such a picture, they said; it was too large and cumbersome, and there were serious defects in it. One or two of the figures were out of drawing; the waves were too solid, looking like molten lead. There was no finesse, no delicacy of execution, the colouring was crude; in fact, the criticism had been scathing.

"They were so rough on me that my back was up at last," went on Mr. Ward, "and when Wilkes said I might leave it if I liked, and he would try and get a customer for it, I saw he was only letting me down a bit easier, and that he did not believe it would sell, so I just called a cab and brought it back."

Waveney winced. All this cab hire could not be afforded. And then, what were they to do? But the next moment she was stroking the worn coat-sleeve tenderly, and her voice was as cheerful as ever.

"Dad, it is a long lane that has no turning—remember that; and it is no use fretting over spilt milk. To-morrow we will get Noel to hang up dear old King Canute in that blank space, and if the stupid, cantankerous old dealers will not have anything to say to him, Mollie and I will admire him every day of our lives. Molten lead, indeed!" jerking her chin contemptuously.

But Mr. Ward, who had been too much crushed to revive at once, only shook his head and sighed. In his heart he knew the dealers were right, and that the work was not really well done. The stormy sunset looked blotchy and unreal, and the solidity of the water was apparent, even to him. The whole thing was faulty, mawkish, amateurish, and futile. He had been in a perfect rage against himself, the dealers, and all the rest of the world as he clambered into his cab.

He had had a rap upon the knuckles once too often. Well, he had learnt his lesson at last; but what a fool and dunce he had been!

"Take your punishment, my boy," he had said to himself, grimly. "Write yourself Everard Ward, U.A., unmitigated ass; and wear your fool's cap with a jaunty air.

"You wanted to paint a big historical picture! to be something better than a drawing-master. Oh, you oaf, you dotard, you old driveller, to think that you could set the Thames on fire, that you could do something to keep your memory fresh and green. Go back to your water-colour landscapes, to your water-wheels and cottages, your porches smothered in woodbine; you are at the bottom of your class, my lad, and there you will be to the end of the chapter." And then—for his imagination was very 
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