possess, I desire that the matter shall be made clear to you.” How I should have answered this singular man I know not; but as he spoke the words, into the mandarah came the Sheikh, followed by a girl robed and veiled entirely in white. With gait slow and graceful she approached the dîwan. She wore a white yelek so closely wrapped about her that it concealed the rest of her attire, and a white tarbar, or head-veil, decorated with gold embroidery, almost entirely concealed her hair, save for one jet-black plait in which little gold ornaments were entwined and which hung down on the left of her forehead. A white yashmak reached nearly to her feet, which were clad in little red leather slippers. As she approached me I was impressed, not so much with the details of her white attire, nor with the fine lines of a graceful figure which the gossamer robe quite failed to conceal, but with her wonderful gazelle-like eyes, which wore uncannily like those of her brother, save that their bordering of kohl lent them an appearance of being larger and more luminous. No form of introduction was observed; with modestly lowered eyes the girl saluted me and took her seat upon a heap of cushions before a small coffee table set at one end of the dîwan. The Sheikh, seated himself beside me, and Abû Tabâh, with a reed pen, wrote something rapidly on a narrow strip52 of paper. The Sheikh clapped his hands, a man entered bearing a brazier containing live charcoal, and, having placed it upon the floor, immediately withdrew. The dîwan was lighted by a lantern swung from the ceiling, and its light, pouring fully down upon the white figure of the girl, and leaving the other persons and objects in comparative shadow, produced a picture which I am unlikely to forget. Amid a tense silence, Abû Tabâh took from a box upon the table some resinous substance. This he sprinkled upon the fire in the brazier; and the girl extending a small hand and round soft arm across the table, he again dipped his pen in the ink and drew upon the upturned palm a rough square which he divided into nine parts, writing in each an Arabic figure. Finally, in the centre he poured a small drop of ink, upon which, in response to words rapidly spoken, the girl fixed an intent gaze. Into the brazier Abû Tabâh dropped one by one fragments of the paper upon which he had written what I presumed to be a form of invocation. Immediately, standing between the smoking brazier and the girl, he commenced a subdued muttering. I recognized that I was about to be treated to an
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