were accustomed to sit for their lessons at a large oval table at the upper end of the room. Beside the passage doorway, there was a smaller one, that led into the studio, and was never used by the children. Clare, however, would sometimes enter by it, but so seldom that they invariably forgot to keep watch. Clare enjoyed the occasional view she thus obtained of her unconscious and relaxed subjects, and the piquancy of their uncensored conversation; she enjoyed still more the sudden hush, the crisp thrill, that ran through their groups, when they became aware of her, observant in the doorway. On the morning in question she had watched them for some little while. Before each girl lay her open exercise-book and school edition of Browning. They were deep in discussion of their work, very eager upon some question. By the empty chair at the head of the table sat Marion Hughes, blonde and placid, a rounded elbow on her neatly written theme, that her neighbour was trying to pull away, to compare with her own well-inked manuscript. This neighbour, one Agatha Middleton, was dark, gaunt, with restless eyes and restless tongue. She was old for her fifteen years, and had been original until she discovered that her originality appealed to Miss Hartill. Since then[40] she had imitated her own mannerisms, and was rapidly degenerating into an eccentric. The law of opposites had decreed that the sedate Marion should be her bosom friend. They went up the school together, an incongruous, yet well-suited pair, for they were so unlike that there could be no rivalry. Marion was alternately amused and dazzled by the pyrotechnic Agatha. Agatha's respect for Marion's common sense was pleasantly tempered by a conviction of superior mental agility. Finally, they were united by their common devotion to their form-mistress. Whether it would have occurred to Marion, unprompted, to admire Miss Hartill, is uncertain. Her affections were domestic and calm. But adoration was in the air, and she had not sufficient originality to be unfashionable. She was caught, too, in Agatha's whirlwind emotions, and ended by worshipping Clare conscientiously and sincerely. Clare, on her side, respected her, as she told Alwynne, for her "painstaking and intelligent stupidity," and, recognising a nature too worthy for neglect, yet too lymphatic to be suitable for experiments, was uniformly kind to her. Agatha, she had revelled in for six weeks, and had since more or less ignored as a bore. Below the pair sat a spectacled student, predestined to scholarships and a junior mistress-ship; opposite, between giggling twins, a vivid little Jewess, whose showy work was due to the same vanity that tied her curls with giant bows, and over-corsetted her matured