bitter thoughts (and thoughts are so often conclusions with men of arrogant genius like Lawrence) which find such strange and emphatic expression in his books. I would need the pen of a De Quincey to describe my impression of that man, and I am candid enough to admit that I lack the ability, rather than the malice, which caused the little opium-eater to be so justly hated by such a man as Bob Southey. There is a bitterness which can find no expression, is inarticulate, and from that we turn away as from a very pitiful thing; and there is that bitterness which is as clear-cut as a diamond, shining with definitions, hardened with the use of [pg 020] a subtle reasoning which is impenetrable but penetrating, "the outcome of a fecund imagination," as Lawrence himself might describe it; a bitterness so concisely and philosophically articulate, that, under the guise of "truth," it will penetrate into the receptive mind, and leave there some indelible impressions of a strange and dominating mind. I have found that in the books and person of Mr. D. H. Lawrence. He seems to lack humility definitely, as a man would lack bread to eat, and a note of arrogance, as splendid as it is shameless, runs through his written words; and the very words seem conscious that they are pearls flung before swine. He will pile them one on top of the other, as though to impregnate each with his own egotism, to describe the sexual passions of this man or that woman, words so full of his meaning, so pregnant with his passions, that at the end of such a page you feel that a much greater and more human Ruskin is hurling his dogmas at your teeth, that there is nothing you can say or think outside that pile of feeling which is massed before you, that you must accept and swallow without [pg 021] cavil and without chewing. With what relief one turns over a page and finds that here is no touch of the flesh, but that Mr. Lawrence is writing of earth! Let him sink into earth as deep as he may, he can find and show there more beauty and more truth than in all his arrogant and passionate fumblings in the mire of sex, in all his bitter striving after that, so to speak, sexual millennium, that ultimate psychology of the body and mind, which seems so to obsess him that in his writings he has buried his mind, as, in his own unpleasant phrase, a lover buried his head, in the "terrible softness of a woman's belly." Who has not read "Sons and Lovers," and laid it down as the work of a strange and great man, of the company of Coleridge, Stendhal, and Balzac? And who, as he read it, has not been shocked by a total lack of that sweetness which must alloy all strength to make it acceptable? "That strange interfusion of strength and sweetness," which Pater so admiringly found in Blake and Hugo, cannot be
Prev.
Back
Top