Devil's Dice
true-heartedness and—what shall I say?—her hatred of the hollow shams and artificiality by which she is surrounded.”

“Yes, you know her far better than I do,” he admitted, lighting a cigarette and adding, “I’d take your opinion upon a woman’s character before anybody else’s. As a novelist, I have gained a reputation for portraying female character, yet I assure you my ability in that direction only exists in the imaginations of my reviewers. I can write about women, but, hang it, old chap, I’m absolutely ignorant of them in real life. You, a calm philosopher, can analyse a woman’s nature and lay every fibre of it bare as if by the scalpel; while I, finding my conclusions always hopelessly at fault when attempting to study from life, have written merely what I have believed to be artistic.”

“Your books are popular, so I suppose your confession proves that pure fiction pays better without an admixture of fact,” I laughed.

“Yes,” he said; “I’m afraid that is so,” and then went on smoking with an expression of joyful contentment.

John Bethune, known as the “soldier-novelist,” was a handsome, well-built fellow about thirty-two, with dark hair, a carefully-trimmed moustache, and a pair of merry brown eyes that were an index to the genuine bonhomie which was the chief trait of his character. Though he entertained none of the idiosyncrasies or eccentricities of dress common to many writers, he was, although a smart officer, nevertheless a true Bohemian—always gay and light-hearted and the most popular man in his regiment.

A thoroughly good fellow, he deserved every bit of the success he had attained. The son of a struggling barrister, he had graduated, then joined the army, afterwards becoming an anonymous contributor to a Scotch review of hypercritical trend, edited by the distinguished critic, Mr Goring. Having turned his attention to novel-writing in combination with soldiering, he had made a brilliant success with his first book, which had been increased by each other that had been issued. On both sides of the Atlantic the newspapers were full of paragraphs regarding his sayings and doings, many of their writers being fond of alluding to him as “one of Mr Goring’s young men,” and for the past three years he had been recognised as one of the leading “younger novelists,” whose wondrous insight into the complexities and contradictions of woman’s nature had earned for him a world-wide reputation.

As he chatted about the woman to whom he had become engaged, I expressed genuine 
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