Alice of Old Vincennes
Food, medicines and clothing were surreptitiously borne across the river; a bed of grass was kept fresh under Long-Hair's back; his wound was regularly dressed; and finally his weapons—a tomahawk, a knife, a strong bow and a quiver of arrows—which he had hidden on the night of his bold theft, were brought to him. 

 "Now go and sin no more," said good Father Beret; but he well knew that his words were mere puffs of articulate wind in the ear of the grim and silent savage, who limped away with an air of stately dignity into the wilderness. 

 A load fell from Alice's mind when Father Beret informed her of Long-Hair's recovery and departure. Day and night the dread lest some of the men should find out his hiding-place and kill him had depressed and worried her. And now, when it was all over, there still hovered like an elusive shadow in her consciousness a vague haunting impression of the incident's immense significance as an influence in her life. To feel that she had saved a man from death was a new sensation of itself; but the man and the circumstances were picturesque; they invited imagination; they furnished an atmosphere of romance dear to all young and healthy natures, and somehow stirred her soul with a strange appeal. 

 Long-Hair's imperturbable calmness, his stolid, immobile countenance, the mysterious reptilian gleam of his shifty black eyes, and the soulless expression always lurking in them, kept a fascinating hold on the girl's memory. They blended curiously with the impressions left by the romances she had read in M. Roussillon's mildewed books. 

 Long-Hair was not a young man; but it would have been impossible to guess near his age. His form and face simply showed long experience and immeasurable vigor. Alice remembered with a shuddering sensation the look he gave her when she took the locket from his hand. It was of but a second's duration, yet it seemed to search every nook of her being with its subtle power. 

 Romancers have made much of their Indian heroes, picturing them as models of manly beauty and nobility; but all fiction must be taken with liberal pinches of salt. The plain truth is that dark savages of the pure blood often do possess the magnetism of perfect physical development and unfathomable mental strangeness; but real beauty they never have. Their innate repulsiveness is so great that, like the snake's charm, it may fascinate; yet an indescribable, haunting disgust goes with it. And, after all, if Alice had been asked to tell just how she felt toward the Indian she had labored so hard to 
 Prev. P 31/258 next 
Back Top
Privacy Statement Terms of Service Contact