compare it with a photograph of the same spot now would give a perfect impression of the historic atmosphere, color and conditions which cannot be set in words. But we must not belittle the power of verbal description. What if a thoroughly trained newspaper reporter had been given the freedom of old Vincennes on the Wabash during the first week of June, 1778, and we now had his printed story! What a supplement to the photographer's pictures! Well, we have neither photographs nor graphic report; yet there they are before us, the gowned and straw-capped priest, the fresh-faced, coarsely-clad and vigorous girl, the grotesque little hunchback, all just as real as life itself. Each of us can see them, even with closed eyes. Led by that wonderful guide, Imagination, we step back a century and more to look over a scene at once strangely attractive and unspeakably forlorn. 

 What was it that drew people away from the old countries, from the cities, the villages and the vineyards of beautiful France, for example, to dwell in the wilderness, amid wild beasts and wilder savage Indians, with a rude cabin for a home and the exposures and hardships of pioneer life for their daily experience? 

 Men like Gaspard Roussillon are of a distinct stamp. Take him as he was. Born in France, on the banks of the Rhone near Avignon, he came as a youth to Canada, whence he drifted on the tide of adventure this way and that, until at last he found himself, with a wife, at Post Vincennes, that lonely picket of religion and trade, which was to become the center of civilizing energy for the great Northwestern Territory. M. Roussillon had no children of his own; so his kind heart opened freely to two fatherless and motherless waifs. These were Alice, now called Alice Roussillon, and the hunchback, Jean. The former was twelve years old, when he adopted her, a child of Protestant parents, while Jean had been taken, when a mere babe, after his parents had been killed and scalped by Indians. Madame Roussillon, a professed invalid, whose appetite never failed and whose motherly kindness expressed itself most often through strains of monotonous falsetto scolding, was a woman of little education and no refinement; while her husband clung tenaciously to his love of books, especially to the romances most in vogue when he took leave of France. 

 M. Roussillon had been, in a way, Alice's teacher, though not greatly inclined to abet Father Beret in his kindly efforts to make a Catholic of the girl, and most treacherously disposed toward the good priest in the matter of his well-meant attempts to prevent her from reading and re-reading the 

 Prev. P 9/258 next