Clara Vaughan, Volume 1 (of 3)
writing fluid; or was it then that my mother had seized the dark author by the hair, as he stooped to incline his pen that the last drop might trickle down?

Deciphering thus with fingers and eyes, I traced these letters of blood, one by one, over and over again, till they danced in my gaze like the northern lights. I stood upon tiptoe and kissed them; I cared not what I was doing: it was my own father's blood, and I thought of the heart it came from, not of the hand which shed it. When I turned away, the surprise, for which till then I had found no time, broke full upon me. How could these letters, in spite of all my vigilance, so long have remained unseen? Why did the murderer peril his life yet more by staying to write the record, and seal perhaps the conviction of his deed? And what did these characters mean? Of these three questions, the first was readily solved. The other two remained to me as new shadows of wonder. Several causes had conspired to defer so long this discovery. In the first place, the damask had been of rich lilac, shot with a pile of carmine, which, in the waving play of light, glossed at once and obscured the crimson stain, until the fading hues of art left in strong contrast nature's abiding paint. Secondly, my rapid growth and the clearness of my eyes that day lessened the distance and favoured perception. Again--and this was perhaps the paramount cause--the winter sun, with rays unabsorbed by the snow, threw his sheer dint upon that very spot, keen, level, and uncoloured--a thing which could happen on few days in the year, and for few minutes each day, and which never had happened during my previous search. Perhaps there was also some chemical action of the rays of light which evoked as well as showed the colour; but of this I do not know enough to speak. Suffice it that the letters were there, at first a great shock and terror, but soon a strong encouragement to me.

My course was at once to perpetuate the marks and speculate upon them at leisure, for I knew not how fleeting they might be. I hurried downstairs, and speaking to no one procured some clear tissue paper. Applying this to the damask, and holding a card behind, I carefully traced with a pencil so much of the letters as could be perceived through the medium, and completed the sketch by copying most carefully the rest; It was, however, beyond my power to keep my hand from trembling. A shade flitted over my drawing--oh, how my heart leaped!

When I had finished the pencil-sketch, and before it was inked over (for I could not bring myself to paint it red), I knelt where my father died and thanked God for this 
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