The Onslaught from Rigel
tale. In the upper floors of the New Waldorf three of the big windows were smashed in, and in one corner of the room, amid a maze of chairs fantastically torn as though by a playful giant, a pile of soft cloths. In the midst of this pile, four big eggs reposed. He had picked up one of the eggs, and after weighing the advisability of bringing it with him, decided he had more important things to do. The owners of the nest did not appear.

As he emerged from the building, however, the quick motion of a shadow across the street caused him to look up in time to catch a glimpse of one of the four-winged birds they had seen before, and just as he was driving the car away, his ears were assailed by a torrent of screeches and "skrawks" from the homecomer. He did not look up until the shadow fell across him again when he perceived the bird was following close behind him, flying low, and apparently debating the advisability of attacking him.

Roberts waved his arms and shouted; it had not the slightest effect on the bird, which, now that it was closer, he perceived to move its hind wings only, holding its fore-wings out like those of an airplane. He wished he had a weapon of some kind; lacking one, he drew the car up to the curb and ran into a building. The bird alighted outside and began to peck the door in, but by the time it got through Roberts had climbed a maze of stairs, and though he could hear it screaming throatily behind him, it did not find him and eventually gave up the search.

The end of this remarkable tale was delivered to an enlarged audience. Gloria had arrived, bringing a chubby little man who announced himself as F. W. Stevens.

"The boy plunger?" queried Murray absent-mindedly, and realized from Gloria's gasp that he had said the wrong thing.

"Well, I operate in Wall Street," Stevens replied rather stiffly.

Ben came with three recruits. At the sight of the first, Murray gasped. Even in the metal caricature, he had no difficulty in recognizing the high, bald forehead, the thin jaws and the tooth-brush moustache of Walter Beeville, the greatest living naturalist. Before dark the others were back—Yoshio with one new acquisition and Mrs. Roberts, whose energy paralleled her strength, with no less than four, among them an elaborately gowned woman who proved to be Marta Lami, the Hungarian dancer who had been the sensation of New York at the time of the catastrophe.

They gathered in the Times Square drug store in a strange babble of phonographic voices 
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