and throng is as great as in Regent Street or the Strand on a sunny day, for the endless line of well-appointed equipages, with servants in splendid liveries, and mostly drawn by four horses, roll noiselessly over the asphalte, while upon the pavement stroll princes and generals in uniform, aides-de-camp and staff officers, merchants, mujiks, Greeks, Circassians—indeed, that heterogeneous assortment of sects and races which combine to make up the population of a great city. Russian women, as a rule, are the reverse of prepossessing; but the ladies who shop in the Nevskoi, and afterwards promenade on the English Quay, are even more remarkable for their elegance and beauty than those one sees in the Row or on Parisian boulevards.

As it is not my intention, however, to dilate upon Russian manners and customs, except for the purpose of presenting this strange drama in which I played a leading part, I must refrain from commenting on the thousand and one show places, the coffin shops, in the windows of which the grim receptacles for the dead are ticketed, and many other things which strike the stranger as ludicrous and curious.

I saw them merely pour passer le temps, and they can be of but little interest in the present narrative.

Exactly three weeks had passed since I bade farewell to Vera. I had breakfasted, and was standing before the window looking out upon the Izak Platz, that broad square in the centre of which the column of Alexander stands out in bold relief. Not having made up my mind whither I should repair in search of pleasure, I was idly watching the busy, ever-changing crowd of pedestrians and vehicles, when I heard the door behind me open, and, turning, confronted a tall, fair-bearded man, who had entered unannounced. He was well-dressed, and as I turned and looked inquiringly at him, he bowed and removed his hat.

“Is it to M’sieur Frank Burgoyne I have the pleasure of speaking?” he asked politely, in very fair English.

“Quite correct,” I replied.

“Allow me to present to you the carte of Mademoiselle Vera Seroff, and to introduce myself. Paul Volkhovski is my name, and—er—need I tell you the object of my visit?” he inquired, showing an even set of white teeth as he smiled.

“It is unnecessary,” I replied, glancing at the card he took from his wallet and handed to me. “The jewels are quite safe in that box upon the ottoman. The seals, you will notice, are untouched.”

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