citron-flower land. "It's the very one we've been watching through the windows up-town," she said in a delighted whisper. 42 42 "But did you get it as a prize?" I inquired, walking into the dusky room and shaking hands with my betrothed, who rose from the instrument and made way for me to take possession. "How came it here?" "I had it sent out—on—on approval," she elucidated. That is, her words took the form of an explanation, but her voice was as appealing as a Salvation Army dinner-bell, just before Christmas. "On approval? But why, please?" "Because I want you to get used to having the things you want, darling!" Then, to keep from laughing—or crying—I ran toward the door. "What is that burning?" I asked, sniffing suspiciously. It was a vaguely familiar scent—scorching dress-goods—and suggestive of the awful feeling which comes to you when you've stood too close to the fire in your best coat-suit—or the comfortable sensation on a cold night, when you're 43 preparing to wrap up your feet in a red-hot flannel petticoat. 43 "What is it? Tell the truth, mother!" But she wouldn't. "It's your brown tweed skirt, Grace," Guilford finally explained, as my eyes begged the secret of them both. They frequently had secrets from me. "My brown tweed skirt?" "It was as baggy at the knees as if you'd done nothing all winter but pray in it!" mother whimpered in a frightened voice. "I've—I've burned it up!" For a moment I was silent. "But what shall I tramp in?" I finally asked severely. "What can I walk out the Waverley Pike in?" Then mother took fresh courage.