The Poetical Works of James Beattie
Sir William had never read all the letters which he printed in his Life of Beattie, for in vol. ii. p. 42, octavo ed., we find the great painter writing to our poet as follows, in February, 1774: 

 "Mr. Hume has heard from somebody that he is introduced in the picture, not much to his credit; there is only a figure, covering his face with his hands, which they may call Hume or any body else; it is true it has a tolerable broad back. As for Voltaire, I intended he should be one of the group." 

 This fine picture is now at Aberdeen, in the possession of Beattie's niece, Mrs. Glennie.

[S] When Beattie was in London, in 1773, and when it was doubtful whether government would ever make any provision for him, his friends there set on foot a subscription for this work. "It was a thing," says he, in a letter to Lady Mayne, January, 1774, "of a private nature entirely; projected not by me, but by some of my friends, who had condescended to charge themselves with the whole trouble of it: it was never meant to be made public, nor put into the hands of booksellers, nor carried on by solicitation, but was to be considered as a voluntary mark of the approbation of some persons of rank and fortune, who wished it to be known that they patronized me on account of what I had written in defence of truth," &c. Prefixed to the volume is a list of nearly five hundred subscribers, among whom are many distinguished characters in church and state.

[S]

[T] A spurious edition of his Juvenile Poems, with some which he never wrote, from Dodsley's Collection, was put forth in 1780. This volume he disowned in a public advertisement.

[T]

[U] Perhaps it was not printed till the beginning of the following year. In a letter to Beattie, dated Feb. 1st, 1779, Mrs. Montagu says, "I was much pleased with your pamphlet on Psalmody."

[U]

[V] He was born in 1768, and was named after James Hay, Earl of Errol, our author's early patron.

[V]

[W] Writing from Edinburgh, 28th May, 1784, to his niece, Miss Valentine (now Mrs. Glennie), Beattie describes the sensation caused in that city by the performances of Mrs. Siddons. He says that he met her at the house of Lord Buchan; that he played to her many Scotch airs on the violoncello, with which she was much gratified; and that "she sung 'Queen Mary's Complaint' to 
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