Scott’s novels at this time came forth so frequently that the lumbering “Quarterlies” toiled after them in vain. They adopted the plan of reviewing them in batches, and the “Quarterly” may be said to have omitted “The Pirate” altogether. About this time Gifford began to find that the person who spoke of a “dark dialect of Anglified Erse” was not a competent critic, and Mr. Senior noticed several of the tales in a more judicious manner. As to “The Pirate,” the “Edinburgh Review” found “the character and story of Mertoun at once commonplace and extravagant.” Cleveland disappoints “by turning out so much better than we had expected, and yet substantially so ill.” “Nothing can be more beautiful than the description of the sisters.” “Norna is a new incarnation of Meg Merrilies, and palpably the same in the spirit ... but far above the rank of a mere imitated or borrowed character.” “The work, on the whole, opens up a new world to our curiosity, and affords another proof of the extreme pliability, as well as vigour, of the author’s genius.”

Andrew Lang.

Andrew Lang.

August 1893.

[1] Lockhart, vi. 388-393. Erskine died before Scott, slain by a silly piece of gossip, and Mr. Skene says: “I never saw Sir Walter so much affected by any event, and at the funeral, which he attended, he was quite unable to suppress his feelings, but wept like a child.” His correspondence with Scott fell into the hands of a lady, who, seeing that it revealed the secret of Scott’s authorship, most unfortunately burned all the letters. (Journal, i. 416.)

[1]

[2] Scott’s Diary, July 29, 1814. Lockhart, vi. 183.

[2]

[3] See Author’s Note No. I.

[3]

[4] Diary; Lockhart, iv. 223.

[4]

[5] “Atalanta,” December 1892.

[5]

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