invited to the Unicorn Theatre were in their seats. No one had stayed away except for some very good reason, for it was well known that if Herbert Loring offered to show anything it was worth seeing. About forty people were present, who sat talking to one another, or admiring the decoration of the theatre. As Loring stood upon the stage—where he was entirely alone, his exhibition requiring no assistants—he gazed through a loophole in the curtain upon a very interesting array of faces. There were the faces of many men and women of society, of students, of workers in various fields of thought, and even of idlers in all fields of thought; but there was not one which indicated a frivolous or listless disposition. The owners of those faces had come to see something, and they wished to see it. For a quarter of an hour after the time announced for the opening of the exhibition Loring peered through the hole in the curtain, and then, although all the people he had expected had not arrived, he felt it would not do for him to wait any longer. The audience was composed of well-bred and courteous men and women, but despite their polite self-restraint Loring could see that some of them were getting tired of waiting. So, very reluctantly, and feeling that further delay was impossible, he raised the curtain and came forward on the stage. Briefly he announced that the exhibition would open with some fireworks he had brought from Corea. It was plain to see that the statement that fireworks were about to be set off on a theatre stage, by an amateur, had rather startled some of the audience, and Loring hastened to explain that these were not real fireworks, but that they were contrivances made of colored glass, which were illuminated by the powerful lens of a lantern which was placed out of sight, and while the apparent pyrotechnic display would resemble fireworks of strange and grotesque designs, it would be absolutely without danger. He brought out some little bunches of bits of colored glass, hung them at some distance apart on a wire which was stretched across the stage just high enough for him to reach it, and then lighted his lantern, which he placed in one of the wings, lowered all the lights in the theatre, and began his exhibition. As Loring turned his lantern on one of the clusters of glass lenses, strips, and points, and, unseen himself, caused them to move by means of long cords attached, the effects were beautiful and marvellous. Little wheels of colored fire rapidly revolved, miniature rockets appeared to rise a few feet and to explode in the air, and