he looked up—to find himself gazing at still another person, wholly different from any he had seen before. The others had all been women—womanly women, full of the weakness, the delicateness rather, that distinguishes the feminine. This woman he was looking at now had a look of strength. He had thought her frail. He was seeing a strong woman—a splendidly healthy body, with sinews of steel most gracefully covered by that fair smooth skin of hers. And her features, too—why, this girl was a person of character, of will. He glanced through the pages. "All right—thank you," he said hastily. "Please don't stay any longer. Leave the other thing till to-morrow." "No—it has to be done to-night." "But I insist upon your going." She hesitated, said quietly, "Very well," and turned to go. "And you mustn't do it at home, either." She made no reply, but waited respectfully until it was evident he wished to say no more, then went out. He bundled together his papers, sealed and stamped and addressed his letter, put on his overcoat and hat and crossed the outer office on his way to the door. It was empty; she was gone. He descended in the elevator to the street, remembered that he had not locked one of his private cases, returned. As he opened the outer door he heard the sound of typewriter keys. In the corner, the obscure, sheltered corner, sat the girl, bent with childlike gravity over her typewriter. It was an amusing and a touching sight—she looked so young and so solemnly in earnest. "Didn't I tell you to go home?" he called out, with mock sternness. Up she sprang, her hand upon her heart. And once more she was beautiful, but once more it was in a way startlingly, unbelievably different from any expression he had seen before. "Now, really. Miss—" He had forgotten her name. "You must not stay on here. We aren't such slave drivers as all that. Go home, please. I'll take the responsibility." She had recovered her equanimity. In her quiet, gentle voice—but it no longer sounded weak or insignificant—she said, "You are very