hair, fair skin, blue eyes. Aside from this hardly conclusive mark of identity there was nothing positive, nothing definite, about her. She was neither tall nor short, neither fat nor thin, neither grave nor gay. She gave the impression of a young person of the feminine gender—that, and nothing more. She was plainly dressed, like thousands of other girls, in darkish blue jacket and skirt and white shirt waist. Her boots and gloves were neat, her hair simply and well arranged. Perhaps in these respects—in neatness and taste—she did excel the average, which is depressingly low. But in a city where more or less strikingly pretty women, bent upon being seen, are as plentiful as the blackberries of Kentucky's July—in New York no one would have given her a second look, this quiet young woman screened in an atmosphere of self-effacement. 

 She applied to the head clerk. It so happened that need for another typewriter had just arisen. She got a trial, showed enough skill to warrant the modest wage of ten dollars a week; she became part of the office force of twenty or twenty-five young men and women similarly employed. As her lack of skill was compensated by industry and regularity, she would have a job so long as business did not slacken. When it did, she would be among the first to be let go. She shrank into her obscure niche in the great firm, came and went in mouse-like fashion, said little, obtruded herself never, was all but forgotten. 

 Nothing could have been more commonplace, more trivial than the whole incident. The name of the girl was Hallowell—Miss Hallowell. On the chief clerk's pay roll appeared the additional information that her first name was Dorothea. The head office boy, in one of his occasional spells of "freshness," addressed her as Miss Dottie. She looked at him with a puzzled expression; it presently changed to a slight, sweet smile, and she went about her business. There was no rebuke in her manner, she was far too self-effacing for anything so positive as the mildest rebuke. But the head office boy blushed awkwardly—why he did not know and could not discover, though he often cogitated upon it. She remained Miss Hallowell. 

 Opposites suggest each other. The dimmest personality in those offices was the girl whose name imaged to everyone little more than a pencil, notebook, and typewriting machine. The vividest personality was Frederick Norman. In the list of names upon the outer doors of the firm's vast labyrinthine suite, on the seventeenth floor of the Syndicate Building, his name came last—and, in the newest lettering, suggesting recentness of partnership. In age he was the youngest 

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