getting more than a glimpse of his face. I had a vague impression of unfamiliar features and of a sort of cap with a visor. Then he was gone. 

 I went to the lodge and rapped. It required two or three poundings to bring Thomas to the door, and he opened it only an inch or so. 

 “Where is Warner?” I asked. 

 “I—I think he’s in bed, ma’m.” 

 “Get him up,” I said, “and for goodness’ sake open the door, Thomas. I’ll wait for Warner.” 

 “It’s kind o’ close in here, ma’m,” he said, obeying gingerly, and disclosing a cool and comfortable looking interior. “Perhaps you’d keer to set on the porch an’ rest yo’self.” 

 It was so evident that Thomas did not want me inside that I went in. 

 “Tell Warner he is needed in a hurry,” I repeated, and turned into the little sitting-room. I could hear Thomas going up the stairs, could hear him rouse Warner, and the steps of the chauffeur as he hurriedly dressed. But my attention was busy with the room below. 

 On the center-table, open, was a sealskin traveling bag. It was filled with gold-topped bottles and brushes, and it breathed opulence, luxury, femininity from every inch of surface. How did it get there? I was still asking myself the question when Warner came running down the stairs and into the room. He was completely but somewhat incongruously dressed, and his open, boyish face looked abashed. He was a country boy, absolutely frank and reliable, of fair education and intelligence—one of the small army of American youths who turn a natural aptitude for mechanics into the special field of the automobile, and earn good salaries in a congenial occupation. 

 “What is it, Miss Innes?” he asked anxiously. 

 “There is some one locked in the laundry,” I replied. “Mr. Jamieson wants you to help him break the lock. Warner, whose bag is this?” 

 He was in the doorway by this time, and he pretended not to hear. 

 “Warner,” I called, “come back here. Whose bag is this?” 

 He stopped then, but he did not turn around. 

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