The Mystery Girl
face of the earth.”

Nor could he reinstate himself in her good graces. He tried a penitent attitude, bravado, jocularity and indifference, but one and all failed to engage her interest or even attention. She answered his remarks with calm, curt speeches that left him baffled and uncertain whether he wanted to bow down and worship her, or wring her neck.

Old Salt Adams took this all in, his amusement giving way to curiosity and then to wonder. Who was this person, who looked like a young, very young girl, yet who had all the mental powers of an experienced woman? What was she and what her calling?

The other boarders appeared, those nearest Anita were introduced, and most of them considered her merely a pretty, new guest. Her manners were irreproachable, her demeanor quiet and graceful, yet as Adams covertly watched her, he felt as if he were watching an inactive volcano.

The meal over, he detained her a moment in the dining-room.

“Why are you here, Miss Austin?” he said, courteously; “what is your errand in Corinth?”

“I am an artist,” she said, looking at him with her mysterious intent gaze. “Or, perhaps I should say an art student. I’ve been told that there are beautiful bits of winter scenery available for subjects here, and I want to sketch. Please, Mr. Adams, let me stay here until Letty comes.”

A sudden twinkle in her eye startled the old man, and he said quickly, “How do you know she isn’t coming?”

That, in turn, surprised Anita, but she only smiled, and replied, “I saw a telegram handed to Mrs. Adams at breakfast—and then she looked thoughtfully at me, and—oh, well, I just sort of knew it was to say Letty couldn’t come.”

“You witch! You uncanny thing! If I should take you over to Salem, they’d burn you!”

“I’ll ride over on a broomstick some day, and see if they will,” she returned, gleefully.

And then along came Nemesis, in the person of the landlady.

“I’m sorry, Miss Austin,” she began, but the girl interrupted her.

“Please, Mrs. Adams,” she said, pleadingly, “don’t say any thing to make me sorry, too! Now, you want to say you haven’t any room for me—but that isn’t true; so you don’t know what to say to get rid of me. But—why do you want to get rid of me?”


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