[10] Pundjel, the Eagle Hawk, gave Australians their marriage laws. [10] [11] Lubra, a woman; kobong, "totem"; or, to please Mr. Max Müller, "otem." [11] [12] The Crow was the Hawk's rival. [12] POST HOMERICA. CONTENTS HESPEROTHEN. By the example of certain Grecian mariners, who, being safely returned from the war about Troy, leave yet again their old lands and gods, seeking they know not what, and choosing neither to abide in the fair Phæacian island, nor to dwell and die with the Sirens, at length end miserably in a desert country by the sea, is set forth the Vanity of Melancholy. And by the land of Phæacia is to be understood the place of Art and of fair Pleasures; and by Circe's Isle, the places of bodily delights, whereof men, falling aweary attain to Eld, and to the darkness of that age. Which thing Master Françoys Rabelais feigned, under the similitude of the Isle of the Macræones. THE SEEKERS FOR PHÆACIA. There is a land in the remotest day, Where the soft night is born, and sunset dies; The eastern shores see faint tides fade away, That wash the lands where laughter, tears, and sighs, Make life,—the lands beneath the blue of common, skies. But in the west is a mysterious sea, (What sails have seen it, or what shipmen known?) With coasts enchanted where the Sirens be, With islands where a Goddess walks alone, And in the cedar trees the magic winds make moan. Eastward the human cares of house and home, Cities, and ships, and unknown Gods, and loves; Westward, strange maidens fairer than the foam, And lawless lives of men, and haunted groves, Wherein a God may dwell, and where the Dryad roves. The Gods are careless of the days and death Of toilsome men, beyond the western seas; The Gods are heedless of their painful breath, And love them not, for they are not as these; But in the golden west they live and lie at ease. Yet the Phæacians well they love, who live At the light's limit, passing careless hours, Most like the Gods; and they have gifts to give, Even wine, and fountains musical, and flowers, And
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