particular reason is plainly this, that rhyme was not his talent; he had neither the ease of doing it, nor the graces of it; which is manifest in his "Juvenilia," or verses written in his youth, where his rhyme is always constrained and forced, and comes hardly from him, at an age when the soul is most pliant, and the passion of love makes almost every man a rhymer, though not a poet.

[Pg 20]

[Pg 21]

By this time, my lord, I doubt not but that you wonder, why I have run off from my bias so long together, and made so tedious a digression from satire to heroic poetry. But if you will not excuse it, by the tattling quality of age, which, as Sir William D'Avenant says, is always narrative, yet I hope the usefulness of what I have to say on this subject will qualify the remoteness of it; and this is the last time I will commit the crime of prefaces, or trouble the world with my notions of any thing that relates to verse.[17] I have then, as you see, observed the failings of many great wits amongst the moderns, who have attempted to write an epic poem. Besides these, or the like animadversions of them by other men, there is yet a farther reason given, why they cannot possibly succeed so well[Pg 22] as the ancients, even though we could allow them not to be inferior, either in genius or learning, or the tongue in which they write, or all those other wonderful qualifications which are necessary to the forming of a true accomplished heroic poet. The fault is laid on our religion; they say, that Christianity is not capable of those embellishments which are afforded in the belief of those ancient heathens.

[Pg 22]

And it is true, that, in the severe notions of our faith, the fortitude of a Christian consists in patience, and suffering, for the love of God, whatever hardships can befall in the world; not in any great attempts, or in performance of those enterprizes which the poets call heroic, and which are commonly the effects of interest, ostentation, pride, and worldly honour: that humility and resignation are our prime virtues; and that these include no action, but that of the soul; when as, on the contrary, an heroic poem requires to its necessary design, and as its last perfection, some great action of war, the accomplishment of some extraordinary undertaking; which requires the strength and vigour of the body, the duty of a soldier, the capacity and prudence of a general, and, in short, as much, or more, of the active virtue, than the suffering. But to this the answer is very obvious. God has placed us in our 

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