Interpretations of Poetry and Religion
of conventional sanity, it serves to give a touch of strangeness and elevation to the character and to suggest superhuman gifts. It is not, however, in the least superhuman. It is hardly even abnormal, being only an exaggeration of a rational interest in the highest abstractions. The divine, the universal, the absolute, even the One, are legitimate conceptions. They are terms of human thought having as such a meaning in language and a place in speculation. Those who live in the mind, whose passions are only audible in the keen overtones of dialectic, are no doubt exalted and privileged natures, choosing a better part which should not be taken from them. So the poet and the mathematician have their spheres of abstract and delicate labour, in which a liberal legislator would not disturb them. Trouble only arises when the dialectician represents his rational dreams as knowledge of existences, and the mystic his excusable raptures as the only way of life. Poets and mathematicians do not imagine that their pursuits raise them above human limitations and are no part of human life, but rather its only goal and justification. Such a pretension would be regarded as madness in the mathematician or the poet; and is not the mystic as miserably a man? Is he not embodying, at his best, the analytic power of a logician, or the imagination of an enthusiast, and, at his worst, the lowest and most obscure passions of human nature?

Yes, in spite of himself, the mystic remains human. Nothing is more normal than abstraction. A contemplative mind drops easily its practical preoccupations, rises easily into an ideal sympathy with impersonal things. The wheels of the universe have a wonderful magnetism for the human will. Our consciousness likes to lose itself in the music of the spheres, a music that finer ears are sometimes privileged to catch. The better side of mysticism is an æsthetic interest in large unities and cosmic laws. The æsthetic attitude is not the moral, but it is not for that reason illegitimate. It gives us refreshment and a foretaste of that perfect adaptation of things to our faculties and of our faculties to things which, could it extend to every part of experience, would constitute the ideal life. Such happiness is denied us in the concrete; but a hint and example of it may be gathered by an abstracted element of our nature as it travels through an abstracted world. Such an indulgence adds to the value of reality only such value as it may itself have in momentary experience; it may have a doubtful moral effect on the happy dreamer himself. But it serves to keep alive the conviction, which a confused experience might obscure, that perfection is essentially possible; it reminds us, like music, that there are 
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