The Hermit Doctor of Gaya: A Love Story of Modern India
Only the headman of the village moved, stroking his fierce grey beard with a shrivelled hand.

The village story-teller gazed into the firelight and was silent. Swift, soft-footed shadows veiled the lower half of his face, but his eyes smouldered and burnt up as they followed their visions among the flames. He was young. His lithe, scantily-clad body was bent forward and his slender arms were clasped loosely about his knees. Compared with him, the broken circle of listeners seemed half living. They sat quite still, their skins shining darkly like polished bronze, their eyes blinking at the firelight. Only the headman of the village moved, stroking his fierce grey beard with a shrivelled hand.

"Those were the great days!" he muttered.  "The great days!"

"Those were the great days!" he muttered.  "The great days!"

The silence lingered. The Englishman, whose long, white-clad body linked the circle, shifted his position. He lay stretched out with a lazy, unconscious grace, his head supported on his arm, his eyes lifted to the overhanging branches of the peepul tree, whose long, pointed leaves fretted the outskirts of the light and sheltered the solemn, battered effigy of the village god like the dome of a temple. A suddenly awakened night-breeze stirred them to a mysterious murmur. They rustled tremulously and secretly together, and the clear cold fire of a star burnt amidst their shifting shadows. Beyond and beneath their whispering there were other sounds. A night-owl hooted, a herd of excited, lithe-limbed monkeys scrambled noisily in the darkness overhead, chattered a moment, and were mischievously still. From the distance came the long, hungry wail of a pariah dog, hunting amidst the village garbage. These discords dropped into the night's silence, breaking its placid surface into widening circles and died away. The peepul leaves shivered and sank for an instant into grave meditation on their late communings, and through the deepened quiet there poured the distant, monotonous song of running water. It was a song based on one deep organ note, the primæval note of creation, and never changed. It rose up out of the earth and filled the darkness and mingled with the silence, so that they became one. The listeners heard it and did not know they heard it. It was the background on which the night sounds of living things painted themselves in vivid colours.

The silence lingered. The Englishman, whose long, white-clad body linked the circle, shifted his position. He lay stretched out with a lazy, 
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