The Red Lady


       “I see you're keepin' your eyes on him, madam,” said he softly, jerking his head towards the room where I had left Mr. Dabney.     

       I was vexed, of course, and I suppose my face showed it. My reproof was not so severe, however, as to cause such a look of cowering fear. Henry turned pale, his thin, loose lips seemed to find themselves unable to fit together properly. He stammered out an abject apology, and melted away in the hall.     

       I stood for several minutes staring after him, I remember, and when, turning, I found that Mr. Dabney had followed me to the door and was watching both me and the departing man, I was distinctly and unreasonably annoyed with him.     

       He, too, melted away into the room, and I went out to see Mary in the garden. Truly I never thought myself a particularly awe-inspiring person, but, since I had come to “The Pines,” every one from Robbie to this young man, every one, that is, except Mary and Mrs. Brane, seemed to regard me with varying degrees of fear. It distressed me, but, at the same time, gave me a new feeling of power, and I believe it was a support to me in the difficult and terrifying days to come.     

       At the box hedge of the garden, Mary met me. As usual, she kept me at a distance from her charge.     

       “Miss Gale,” she said, “may I speak to you for a minute?”      

       “For as many minutes as you like,” I said cordially.     

       She moved to a little arbor near by where there was a rustic seat. I sat down upon it, and she stood before me, her strong, red hands folded on her apron. I saw that she was grave and anxious, though as steady As ever.     

       “Miss Gale, ''t is a queer matter,” she began.     

       My heart gave a sad jump. “Oh, Mary,” I begged her, “don't say anything, please, about ghosts or weird presences in the house.”      

       She tried to smile, but it was a half-hearted attempt.     

       “Miss Gale,” she said, “you know I aren't the one to make mountains out of mole-hills, and you know I ain't easy scairt. But, miss, for Robbie's sake, somethin' must 
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