conscious presumption this: it was his nature.

Deep Dale was all simmering blue and green to-day—with softening shadows and tones of gray; blue sky, green grass, trees green-leafed, gray-trunked—green paths, gray and green-walled, blue roofed, the early spring flowers (growing among the grasses but sparsely as yet, and being woven, too often broken-necked, into Hugh’s devoted jewelering) too tiny of modest bud and timid bloom to speck but most minutely the picture with lemon, violet or rose. The little girl’s wealth of red hair made the glory and the only emphatic color of the picture. Hugh’s hair was ash brown and dull—Stephen’s darker, growing to black—but as dull. Even the clothes of these three children painted in perfectly with the blue and green of this early May-day, Nature’s spring-song. The lads, not long out of mourning, were dressed in sober gray. Helen’s frocks came from Hanover Square, when they did not come from the Rue de Rivoli, and to-day her little frock of turquoise cashmere was embroidered and sashed with green as soft and tender as the pussy willows and their new baby leafage.

Rue de Rivoli

But the sun—a pale gray sun at best all day—was slipping down the sky’s blue skirt. Helen, tiring of her elvish play, or wholesomely hungry for “cambric” tea and buns, slid off the tree trunk, smiled back and waved her hand—to nothing, and turned towards the house. Hugh trotted after her, not sorry to suspend his trying toil, not sorry to approach cake and jam, but carrying his stickily woven tribute with him. But Stephen, enthralled, almost entranced, lay still, his fine chin cupped in his strong hand, his eyes—and his soul—watching a flock of birds flying nestward towards the night.

CHAPTER II

Richard Bransby had few friends because he tolerated few. Unloving towards most, rather than unlovable, his life and his personality cut deep, but in narrow channels. To him pictures were—canvas and paint, and a considerable item of expense; for he was too shrewd a business man to buy anything cheap or inferior. Knowing his own limitations as few men have the self-searching gift to do, he took no risks with his strenuously earned sovereigns, lavishly as he spent them. He spent magnificently, but he never misspent. He had too much respect to do that—respect for his money and for himself and for the honest, relentless industry with which that self had amassed that same money. He never selected the pictures for which he paid, nor even their frames. Latham did all that for him. Horace knew almost as much about 

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